| Waterbus on the Grand Canal. |
It's difficult to look anywhere in Venice without framing a scene fit for a postcard. The canals are fantastic. The gondolas are quaint. Everywhere you look there is a palace or church with a story and a stunning visual.
One thing we automatically think of when Venice comes up is the gondolas. They have a lot of them, but not an unlimited supply. Venice has a system in which the city limits the number of gondola licenses (also has the effect of keeping the price high). The men who have the licenses keep them for years and then either sell them or will them to family members. Indeed, a gondola license may be one of the most valuable items in the city. (These men, according to accepted gossip, make a great deal of money even if they are not good at their job.)
| Gondola parking |
The most famous landmark in Venice is St. Mark's Square. This Piazza is a lively pedestrian-only city center near the waterfront. A couple of large churches, a line of super high-end cafes and a huge palace outline the Square. The palace is the former home of the "Doge," who was the mayor of Venice, although royal - not elected. Now it is a museum. On one of the days we went to the square, we saw a youth rugby team from England on their European tour. These kids managed to sneak their ball into the Square and made it into their own personal rugby pitch, the formal music being played by a live band 40 feet away ignored by these ruggers as mere crowd noise.
| Rugby kids in the foreground, 6 piece band and cafe in the background. |
| St. Mark's Clock Tower at 3:50 |
On one side of St. Mark's Square is the appropriately, if not terribly creatively, named St. Mark's Clock Tower. Although the Clock Tower in Hill Valley, California is arguably the most famous clock tower in the world (as we all know, it was struck by lightning on November 12, 1955 providing the 1.21 gigawatts required to activate the flux capacitor), this one is certainly in the running as the most ground breaking. Above the clock face in the photo above, you can see on either side of the balcony one of the first digital clocks in the world (showing a time of 3:50). The time flips every five minutes. (Reminder - daily savings time "flips" this weekend in the US)
The second famous, or rather infamous, aspect of this clock tower surrounds the bell ringer on the top.
The clock tower is designed with the ringer on the outside of the bell. On the hour the green statue rotates to bang his hammer against the bell to create a ring. According to the locals, during construction a worker was standing behind the hammer when the green statue guy starting ringing the bell. The backswing of the statue knocked the worker off of the tower and he fell to his death. This is one of the first reported deaths caused by robot activity. (Just a matter of time until SkyNet becomes self aware).
And, finally, the opera. Because Anne is a cultured person and Mark needs some culture, Anne and Mark decided to attend an opera in Venice. The venue was a beautiful converted church dating back to the 13th century. Mark and Anne were dressed up, excited, and ready for some La Traviatta. We got on the water bus, a fairly efficient manner of travel uniquely adapted for this unique city. We traveled from out hotel in Lido (an island) to our stop along the Grand Canal near the center of Venice.
As with any trip through the Grand Canal (one of the most popular tourist destinations in Venice), the boat got very crowded. As Anne and Mark approached their stop, they realized that it was taking passengers two and three stops to get off the boat once they started making their way to the exit (which, unfortunately, was also the entrance). Apparently, the custom in Italy is that if you want to get on a boat, you get on, even before the other people have a chance to get out. Since the new passengers do not wait for the other passengers to get off the boat, some people are blocked from getting off the boat before it takes off again. As a result, the boat becomes crowded quickly and it is difficult to move around, thus exasperating the problem. So Mark and Anne decided to try to start moving toward the exit well ahead of their stop. This led Mark to a cultural interaction to remember.
Mark was standing on the boat, ten feet or so from the exit. The passengers from the dock had started entering the boat, so Mark's progress was stopped (remember, Mark is 'Minnesota nice,' so although he may be ABLE to push, he chooses not to push, unless absolutely necessary). Realizing no more forward movement was happening at this stop, Mark stood as far out of the way as possible to allow the new passengers to pass by. However, as a person with mass, Mark still occupied some space. This really pissed off an old Italian lady. The visual here is important, but Anne was too busy laughing at Mark to take a photo, so a verbal description will have to suffice. Think... the body of a Hobbit with the head of the Mrs. Fratelli from the Goonies.
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| PERMISSO! |
So, this old lady steps directly in front of Mark and says, "Permisso!" Mark, whose skills in Italian are - admittedly - weak at best, interprets this to mean, "Excuse me, sir, please allow me by, if possible." Mark was unable to move without pushing someone else, so Mark shrugged his shoulders - the international sign of "Sorry, lady, there's nothing I can do. I'm stuck here." Or so he thought. Apparently, this is actually the international sign of "Screw you, lady! I'll see you in h*ll before I let you through!" because she got mad.
She yelled (yelled!) "Permisso!!" (which Mark now understands to mean, "Excuse me, sir, please violate the laws of physics by making your body take up no space, or, at a minimum, push everyone out of the way so that I, the queen of the world, may pass by.") But, Mark did not get this message either. So, our friend, Goonielady Baggins, took matters into her own hands. This Rudy-esque ("5 foot nothin, 100 and nothin") lady put one hand on Mark's chest, put her head on the back of her hand and pushed.
Despite being asked to change them, the laws of physics still applied. One of them (Newton's 2nd... or Lombari's 1st, maybe?) is that Mark is not going to be physically moved by little old ladies, ever. Even if Mark had wanted to move, he could not because there was no empty space in which to move. For some reason, however, this woman thought this was going to work. Maybe she thought Mark would push someone out of the way, thus creating some space. (However, if Mark were to pursue that strategy, he would probably start by drive blocking anyone who was yelling "Permisso" into the Grand Canal - so that still would not have worked out well for her.)
Other than causing shock to Mark (is this really happening?) and uncontrollable laughter to Anne (which has lasted several days, now), this technique had no effect. But it was funny.
Then we went to the opera. As near as we could figure, here's what happened: this lady fell in love with a really old, fat guy. The old, fat guy's father (who was clearly younger than he was, somehow) had a scary, deep voice that scared her away - so she broke up with the fat guy, which made him sad and caused him to sing sad songs. Then at the end, they got back together, but she immediately died of too much partying. Culturized? Check.
| View from the opera house. |
